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Nose Mountain

It Is Only Sound That Remains

Why should I stop, why?
the birds have gone in search
of the blue direction.
the horizon is vertical, vertical
and movement fountain-like;
and at the limits of vision
shining planets spin.
the earth in elevation reaches repetition,
and air wells
changes into tunnels of connection;
and day is a vastness,
which does not fit into narrow mind
of newspaper worms.

why should I stop?
the road passes through the capillaries of life
, the quality of the environment
in the ship of the uterus of the moon
will kill the corrupt cells.
and in the chemical space after sunrise
there is only sound,
sound that will attract the particles of time.
why should I stop?

what can a swamp be?
what can a swamp be but the spawning ground
of corrupt insects?
swollen corpses scrawl the morgue's thoughts,
the unmanly one has hidden
his lack of manliness in blackness,
and the bug... ah,
when the bug talks,
why should I stop?
cooperation of lead letters is futile,
it will not save the lowly thought.
I am a descendant of the house of trees.
breathing stale air depresses me.
a bird which died advised me to
commit flight to memory.
the ultimate extent of powers is union,
joining with the bright principle of the sun
and pouring into the understanding of light.
it is natural for windmills to fall apart.

why should I stop?
I clasp to my breast
the unripe bunches of wheat
and breastfeed them

sound, sound, only sound,
the sound of the limpid wishes
of water to flow,
the sound of the falling of star light
on the wall of earth's femininity
the sound of the binding of meaning's sperm
and the expansion of the shared mind of love.
sound, sound, sound,
only sound remains.

in the land of dwarfs,
the criteria of comparison
have always traveled in the orbit of zero.
why should I stop?
I obey the four elements;
and the job of drawing up
the constitution of my heart
is not the business
of the local government of the blind.

what is the lengthy whimpering wildness
in animals sexual organs to me?
what to me is the worm's humble movement
In its fleshy vacuum?
the bleeding ancestry of flowers
has committed me to life.
are you familiar with the bleeding
ancestry of the flowers?

Forugh Farrokhzad

Michael Translared by C. Hillmann
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Nose Mountain

Nose Mountain lies in the foothills of northwestern Alberta, Canada, south of Grande Prairie. The historic Peace River Trail, which runs from Hinton into the northern Peace country, winds along the 5000 ft. high Nose Mtn. For many centuries, First Nations people and European settlers used the trail and before that it was used by migrating buffalo herds. Endangered species of wildlife such as woodland caribou and grizzly bear still survive along the ridges of Nose Mtn. Logging and oil exploration occur in this area as do tree planting and a growing tourist industry. The Alberta Forestry Department has operated a Fire Tower on Nose Mtn. since the early 1900's. To the southwest of Nose Mtn., the snow capped peaks of the great Rocky Mountain Divide can be seen.

2005 Wildlife Poetry Reading: On Sunday July 31, 2005 starting at noon featuring “Elegy for the Giant Tortoises” by Margaret Atwood. Organized by Grande Prairie writers and Vivian Demuth. This years theme is poetry about wildlife.

Past Reading on Nose Mountain: On Sunday July 28th starting at 11 am. at the end of the Nose Mtn. Fire Tower Road, organized by Vivian Demuth. Summer 2003 The Dam by Muriel Rukeyser

Sunday, August 1, 2004 at 12pm: Being Born in the Woods by Pablo Neruda

Vivian Demuth is a former park ranger who has climbed mountains in different countries. She is a naturalist/artist/writer whose work has appeared in the Canadian Alpine Journal, Long Shot, The Boreal Factor, and the Bumpershoot Festival. She works as a firelookout person and is the author of Breathing Nose Mountain, a collection of poetry.

Forugh Farrokhzad was born in Tehran in 1935 into a middle class family of seven children. She attended public schools through the ninth grade, thereafter received some training in sewing and painting, and married when she was seventeen. Her only child, the boy addressed in "A Poem for you," was born a year later. Within less than two years after that, her marriage failed, and Farrokhzad relinquished her son to her ex-husband's family in order to pursue her calling in poetry and independent life style. She clearly voices her feelings in the mid-1950s about conventional marriage, the plight of women in Iran, and her own situation as a wife and mother no longer able to live a conventional life in such poems as "The Captive," "The Wedding Band," "Call to Arms," and "To My Sister." Using accessible language and inventive imagery, she wrote poems about the lives and struggles of ordinary people. As a divorcee poet in Tehran, Farrokhzad attracted much attention and considerable disapproval. She had several short lived relationships with men-"The Sin" describes one of them,--, found some respite in a nine-month trip to Europe, and in 1958 met Ebrahim Golestan (b. 1922), a controversial film-maker and writer with whom she established a relationship that lasted until her death in an automobile accident at thirty-two years of age in February 1967.

Forugh Farrokhzad